Skip to main content
Image Not Available for Guitar
Guitar
Image Not Available for Guitar

Guitar

Distributor
Trade Name (trade name of Lyon & Healy)
Date1897-1900 ca.
Place MadeChicago, Illinois, United States, North America
ModelWashburn 1897 Style New Model No. 223 Concert Size
Serial No.191786
SignedBranded on back graft: [to left of main brand] 1897 / STYLE / [on belt in oval shape surrounding guitar] GEORGE / WASHBURN / [to right of main brand] NEW / MODEL
Circular label to treble side of neck graft: [around periphery of label] THE MATERIAL AND WORKMANSHIP OF THIS WASHBURN INSTRUMENT [on belt in oval shape surrounding guitar] GEORGE / WASHBURN / No191786 / FULLY GUARANTEED / FOR THE TERM OF ONE / YEAR FROM THE DATE / OF ORIGINAL PURCHASE / PROVIDED THIS LABEL / IS NOT MUTILATED
MarkingsBranded on neck block: I91786 [sic]
Branded on upper end of head: 123 / 191786
DescriptionStringing: six steel strings
Soundboard: two-piece spruce, medium grain broadening to wide at the flanks; two later sailboat decals in lower bouts
Back: two-piece Brazilian rosewood; back stripe comprised of three-ply light-red-light hardwood purfling strips
Ribs: two-piece Brazilian rosewood; ebony endgraft, wider at top, surrounded on each side by light-red-light hardwood strips
Head: slotted; mahogany veneered in Brazillian rosewood; integral with neck
Neck: mahogany
Heel cap: ebony
Binding: ivoroid with light-red-black hardwood strip trim on top, black and white celluloid strip trim on back
Fingerboard: ebony bound in ivoroid; 18 nickel-silver frets; abalone diamond with concave sides and black-ink-filled engraving behind 7th fret; abalone diamond with black-ink-filled engraving behind 9th fret; abalone lozenge with black-ink-filled engraving behind 12th fret
Nut: bone
Bridge: missing
Tuners: two pairs of nickel-plated brass and steel tuners with ivoroid heads
Endpin: ebony; broken off
Rosette: light, red, and dark hardwood chevron and block patterned ring, surrounded by dark-light-dark hardwood purfling strips rings, with wood in between, all set in from edge of soundhole
Pick guard: none
Varnish: clear with craquelure
Linings: kerfed mahogany
Neck block: mahogany with beveled corners
End block: mahogany with beveled corners
Top braces: three spruce ladder braces; spruce bridge plate; spruce plate and maple block above brace in upper bout, into which a truss rod is mounted, probably later (see pictures in file)
Back braces: four spruce with tapered ends, the lower two wider and lower in height than the upper two; spruce back graft
DimensionsTotal guitar length: 929 mm (36-9/16″)
Back length: 459 mm (18-3/32″)
Upper bout width: 223 mm (8-25/32″)
Waist width: 174 mm (6-27/32″)
Lower bout width: 313 mm (13-5/16″)
Rib height (including edging) at heel: 80 mm (3-5/32″)
Rib height, at waist: 91 mm (3-9/16″)
Rib height, at end block: 100 mm (3-15/16″)
Head length: 161 mm (6-5/16″)
Head width, top: 71 mm (2-25/32″)
Head width, bottom: 55 mm (2-5/32″)
Neck length (nut to ribs): 308 mm (12-1/8″)
Neck width, nut: 47 mm (1-27/32″)
Neck width, heel: 58 mm (2-1/4″)
Soundhole diameter: 85 mm (3-11/32″)
Vibrating string length (nut to bridge edge): 618 mm (24-5/16″)
Credit LinePaul and Jean Christian Collection
Object number11655
On View
Not on view
Guitar
C. F. Martin & Co.
1941
Neapolitan mandolin
Vega Company
1920 ca.
Guitar
John C. Haynes & Co.
1893-1895 ca.
Guitar
Grammer Guitar Company
1971/09/15
Guitar
S. L. Mossman Guitars
1977
Guitar
C. F. Martin & Co.
1997
We use cookies to ensure we give you the best experience on our website. By continuing to use this site or by closing or clicking "I agree", you agree to the use of cookies. I agree