Skip to main content
Neapolitan mandolin
Neapolitan mandolin
Neapolitan mandolin

Neapolitan mandolin

Trade Name (trade name of Lyon & Healy)
Date1908-1924 ca.
Place MadeChicago, Illinois, United States, North America
ModelNeapolitan / American Conservatory
Serial No.none
SignedBranded on brown cardboard label in oval: AMERICAN / CONSERVATORYMarkingsnoneDescriptionNote the steep angle between neck and head that may be a hallmark of Lyon & Healy products. Lyon & Healy bought the Regal name out of bankruptcy in 1904 and the Regal company was reincorporated in 1908, at which point the secondary Lyon & Healy College Line became the American Conservatory. It is not clear whether these were made by Lyon & Healy or Regal, but are higher quality than some of the Harmony products of the period. Bowlback mandolins were discontinued by Lyon & Healy in 1924.

Soundboard: two-piece spruce: fine grain broadening toward edges
Bowl: 22 rosewood staves, inner 20 ribs narrower, divided by light hardwood stringing
Clasp: rosewood; festooned lower end
Head: Spanish cedar or mahogany veneered with rosewood on front face
Neck: Spanish cedar or mahogany; integral with head
Binding: alternating strips of angled mother-of-pearl and ebony; 5-ply light hardwood, black hardwood and green-dyed hardwood strip trim with black strip at center; binding and purfling finished with same varnish as body
Fingerboard: ebony; 17 nickel-silver frets; mother-of-pearl engraved triangular inlay behind 1st fret; single mother-of-pearl engraved dot behind 5th fret; double mother-f-pearl dots behind 7th and 12 frets; mother-of-pearl engraved modified lozenge behind 10th fret
Nut: ebony
Bridge: ebony
Tuners: two sets of enclosed worm-gear machine tuners with nickel-plated steel covers, nickel-plated steel rollers, and ivoroid heads
Tailpiece: nickel-plated brass with scallop-shaped cover
Rosette: elliptical; abalone surrounded on each side by 3-ply light and black hardwood purfling
Pick guard: light-colored imitation-tortoise-shell celluloid with festooned lower edge; inlaid with foliate mother-of-pearl decoration
Lacquer: slightly yellowed with craquelure
Bowl lining: white gauze
Linings: kerfed light hardwood
Top braces: tapered spruce braces above and below soundhole; angled, scalloped spruce brace (ascending from treble to bass) at center bout; light hardwood graft at bridge position; spruce graft along center joint below break lower bout
Neck block: unknown
End block: light hardwood
DimensionsTotal mandolin length: 606 mm (23-7/8″)
Top length: 306 mm (12-1/32″)
Maximum body width: 198 mm (7-3/4″)
Maximum bowl height: 138 mm (5-11/32″)
Head length: 143mm (6-1/8″)
Head width, top: 69 mm (2-9/16″)
Head width, bottom: 52 mm (1-7/8″)
Neck length (nut to ribs): 145 mm (5-23/32″)
Neck width, nut: 28 mm (1-3/32″)
Neck width, heel: 39 mm (1-1/2″)
Soundhole height: 24 mm (1-13/32″)
Soundhole width: 40 mm (2-7/16″)
Vibrating string length (nut to bridge edge): 328 mm (12-29/32″)
Credit LineGift of Patricia A. Meisel, 2012
Object number14701
On View
Not on view
Neapolitan mandolin
Joseph Bohmann
1899 ca.
Neapolitan mandolin
Lyon & Healy
1901 ca.
Neapolitan mandolin
Oscar Schmidt Company
1900-1925 ca.
Neapolitan mandolin
Lyon & Healy
1917 ca.
Guitar
Ervin Somogyi
1980/4
Mandoline-banjo
Henry August Pollmann
1888-1900 ca.
We use cookies to ensure we give you the best experience on our website. By continuing to use this site or by closing or clicking "I agree", you agree to the use of cookies. I agree