Skip to main content
Liegende harfe (lying harp piano)
Liegende harfe (lying harp piano)
Liegende harfe (lying harp piano)

Liegende harfe (lying harp piano)

Alternate name(s)
  • Tafelklavier
  • Pantalon
Date1797
Place MadeKonstanz, Germany, Europe
Serial No.none
SignedUnsigned, however, signed by a repairer/tuner/technician?: label on extreme right hand side, handwritten: Gottifried (?) Maucher / Konstanz 1797
MarkingsGottlieb Maucher, Konstanz, 1797 (technician's label)
DescriptionThe shape of this piano resembles a small harp laid sideways with its curved neck at the right. Popular in German-speaking regions, these pianos were often called "pantalons," the name referring to Pantaleon Hebenstreit who made large concert dulcimers about the time that Cristofori was developing his "gravicembalo col piano, e forte.” Harp-shaped pianos, such this one, have no pedals or dampers. A knob on the left hand side of the keyboard controls a leather moderator; another hand stop on the right side controls a lever which allows a portion of the lid (missing) to be closed or opened.

Compass: FF-f3 (five octaves)
Action: Stossmechanik with hammers facing towards the player.
Walnut case.

Keys made of lime wood. Naturals covered with ebony, fronts with blue-stained paper. Accidentals of fruitwood (?) covered in bone and ivory.

Stringing: bichord throughout.
DimensionsLength: 1255mm
Width at widest point: 467mm
Width at bass end: 333mm
Height of case: 196mm

Keyboard:
Three-octave measure: 456mm
Length of heads: 37mm
Width of heads: 20mm

String lengths, striking points:
FF: 1042mm
C: 929mm
c: 710mm
c1: 487mm, 33mm
c2: 280mm
c3: 125mm
f3: 89mm
ProvenancePurchased in 1989 from Bernhard von Hünerbein, Cologne, Germany.
Published ReferencesClinkscale, Martha Novak. Makers of the Piano 1700-1820 (Oxford: Oxford University Press, 1993), p. 250.

Kelly, Rodger S. A Catalog of European Pianos in The Shrine to Music Museum, M.M.Thesis (University of South Dakota: 1991), pp. 60-66.

Klaus, Sabine K. "Der Instrumentenmacher Johann Matthäus Schmahl (1734-1793) im Spiegel der Ulmischen Intelligenzblatter," Zeitschrift fur Organologie, Vol. 1 (Nürnberg: Germanisches Nationalmuseum, 1998), pp. 73, 75, and 80.

-------. "German Square and Harp-Shaped Pianos with Stoámechanik in American Collections: Distinguishing Characteristics of Regional Types in the Eighteenth and Early Nineteenth Centuries," Journal of the American Musical Instrument Society, Vol. XXVII (2001), pp. 128-134.

-------. “Forschungsgegenstand Tafelklavier – Problemstellungen, L"sungsversuche und Konsequenzen,” in Geschichte und Bauweise des Tafelklaviers (23. Musikinstrumentenbau-Symposium, October 2002; Michaelsteiner Konferenzberichte 68), ed. by Boje E. Hans Schmuhl and Monika Lustig (Augsburg: Wiáner-Verlag, and Michaelstein: Stiftung Kloster Michaelstein – Musikinstitut für Aufführungspraxis, 2006), pp. 19-33, specifically p. 21.

Kuronen, Darcy. "Keyboard Instruments at The Shrine to Music Museum," Early Keyboard Studies Newsletter, Vol. VI, No. 1 (October 1991), p. 10.
Credit LineBoard of Trustees, 1989
Object number04570
On View
On view
Solovox keyboard
Hammond Instrument Company
1940-1942 or 1945-1946 ca.
Solovox keyboard
Hammond Instrument Company
1940-1942 or 1945-1946 ca.
Orgatron
Everett Piano Company
1934-1940 ca.
Melville Clark Piano Company
1927 ca.
Double chromatic harp
Henry Greenway
1895 ca.
We use cookies to ensure we give you the best experience on our website. By continuing to use this site or by closing or clicking "I agree", you agree to the use of cookies. I agree