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Image Not Available for Choralcelo #2 Console and Supplementary Units
Choralcelo #2 Console and Supplementary Units
Image Not Available for Choralcelo #2 Console and Supplementary Units

Choralcelo #2 Console and Supplementary Units

Date1917
Place MadeBoston, Massachusetts, United States, North America
Serial No.206 (or 207?)
DescriptionChoralcelo, dated 9 February 1917 in the opus list. Made for William V. King, Covent Station, New Jersey. Acquired in the late 1930s by Wilber and Regene Farrington and installed in a studio in New York; put into storage in 1942.

Major components:

A: Console, serial number 207 (?), with the usual piano action acting on strings, which could also be sounded by electromagnets. Two manuals (lower, compass AAA-c5; upper, compass AA to c4); no pedalboard. Carved decoration.

B: Remote unit with aluminum bars (notes 33-84, i.e., g# to b4) and tubular fiberboard resonators.

C: Remote unit with steel bars (notes 25-84, i.e., c to b4) and tubular fiberboard resonators (some of which are replacements by Wade Jenkins).

D: Remote unit with wooden bars (notes 33-84, i.e., g# to b4) and tubular fiberboard resonators.

E: Remote bass unit, with two sets of steel bars (notes 13-24, i.e., C to B); resonators on one set are replacements by Wade Jenkins; resonators missing from the second set.

F: Supplementary tenor unit, with steel bars (notes 25-32, i.e., c to g); resonators missing. Mounted at the top of the framework for the wood unit.

G: Chimes (notes 34-53, i.e., a to e2).

H: Disc-style interrupter, with recent replacement motor.

I: DC generator, powered by an electric motor.

J: Cabinet with relays for the action.

K: Cabinet with relays for the action.

The wooden frames supporting units B to F are not original.
ProvenanceMade for William V. King, Covent Station, New Jersey, completed on 9 February 1917. Acquired in the late 1930s by Wilber and Regene Farrington and installed in a studio in New York; put into storage in 1942.Published ReferencesJohn Koster, “Choralcelo, The- An Electrifying Acquisition- A Personal Odyssey,” _National Music Museum Newsletter_34, No. 1 (February 2007), pp. 4-5.
Credit LineGift of C. Wade Jenkins, 2006
Object number11315
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